I’ve just returned from a weekend workshop on Whidbey Island at the Pacific Northwest School of Art. I had a great time learning from Jane Davies and hanging out with my friend and artist, Marion Syme. I don’t have any finished pieces to show from the workshop as it was primarily about technique and exploration, but suffice to say you should check out the school’s offerings as well as Jane’s work and workshops (many of which are on-line).
Before the workshop we spent a day exploring Port Townsend, which was a fabulous way to spend the day — funky old townsite, antique shops, art galleries, good food, a parade (which we missed, but still!; it was Rhodo Fest or some such). I picked up this wonderful etching by artist Kenji Ushiku. I loved it as soon as I saw it, but resisted going back to buy it for a few hours since it was in the first shop we entered. I’m glad I made the purchase; it’s sitting on my mantle now. (Sorry about the glare.)
We also spent a great hour or so exploring Fort Worden and we came upon Battery Kinzie. Old buildings and military history aside, we were struck by all of the abstract paintings we found on the walls of the battery. Ostensibly the marks were to cover up graffiti, but I’m not so sure. The colours and marks seem so well chosen. It feels like artists were let loose with the paints and rollers. I can’t find anything on-line, but if you have any info., please leave a comment. Here are my found abstracts:
Fabulous or what? I think the colour combos might find their way into some work. I was a bit jazzed when I got home so I got busy with the paints, stamps, and monoprints I made to create a few abstract postcards last night. Here’s the giveaway part. If you would like an “Adrienne Mason original” (ha, ha!)—or would like to surprise someone with one—please leave a comment with info on how I can contact you and I’ll send one along (randomly chosen). And please feel free to spread the word.